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Perfect
Palette Update Summer 2005
Exterior Color
Renaissance
Welcome to my
first "Perfect Palette Update," a newsletter
for my clients, colleagues, decorators (professionals
and amateurs), and others interested in paint color
for the home.
In recent years, interest in the use of interior paint
color as a decorating tool seems to have exploded. But
this development was not as sudden as it seemed. The
movement to use interior paint for home-transforming
design started slowly and took nearly ten years to be
fully realized. Tremendous momentum was gained during
this time, as neighborhood home centers put resources
for and control of home design and improvement back
in the hands of homeowners. The public watched and were
inspired by decorating shows, believing that they could
make good color choices and leave their white walls
behind. This momentum fueled the formulation of new
paint lines in exciting shades, with coverage, quality
and vibrancy unlike earlier paints. Here we are in 2005
and even the most reluctant chromophobes (those frightened
of choosing colors for fear of making mistakes) are
willing to try applying new wall color inside their
homes.
"What is the next revolution?" you ask. The
answer is a rebirth in the use of color for home exteriors.
In recent years, despite the excitement over interior
paint color as a design tool, next to nothing has happened
to change the way we use color on the outside of our
homes. We paint our houses over and over again in the
same color, to avoid the considerable "problem"
of choosing a new one. Why? For many of the same reasons
that people were afraid to use color inside: it could
be an expensive mistake; it's better to stick with something
safe; it might make the house look smaller; it may make
the house look too dark; it might look garish; what
would the neighbors think?
But those aren't the only reasons. There is an historical
basis for achromatic, or uncolored architecture, especially
in the following two influential styles. In America,
we fashioned many of our buildings in the Greek Revival
style and painted them white. This fashion was actually
based on a misconception that Greek classical temples
and other buildings were white. Thanks to archeologists
and historians, we know that the buildings were brightly
polychromed, but the paint wore off over the centuries
and the stone structures were left a gleaming white.
Another style, leading to achromatic architecture was
the Bauhaus movement. During this modernist movement,
"freedom of space" was realized by the use
of white. The Bauhaus style has been the model for the
training of many contemporary architects. Given the
many years that these influences have impacted American
design and architecture, it is no wonder that the pendulum
has yet to swing back in the other direction, towards
more and improved use of exterior color.
We are, then, ready for this renaissance! Like the
interior color trend before it, the exterior color renaissance
will build momentum and foster the development of better
products, more variety, better color advice, and greater
confidence in homeowners willing to take the leap. As
a color consultant, I find this very exciting! Just
think how beautiful our neighborhoods will become.
So, my advice to those of you who like to be on the
cutting edge of what is to come is to "think outside
the box," in this case, the box is your home. Remember,
the first impression others have of your home is based
on the appearance of the outside. Many homeowners don't
pay attention to paint on the exteriors of their houses
until it starts to peel, or until the house is to be
put up for sale. But, this is changing as the renaissance
begins. People are starting to realize that color and
architecture reinforce each other.
Exterior paint color consultants like myself know that
paint colors on a house should be chosen intelligently
to work with the building, the location and the neighboring
homes. Color, form, space and light are all important
in architecture, but color is really the variable that
most affects the other elements. The placement of color
supports certain design features and helps organize
them for the observer. It's wonderful that something
as simple as paint color can completely alter an otherwise
unremarkable house and turn it into a stunning showplace.
Investing in advice about the best paint colors for
your unique home will pay off measurably in the enhanced
end result.
For more on exterior paint colors, refer to my book,
"The Perfectly Painted House" (Rockport Publishers).
Or for personal assistance, consider these consulting
options...
Bonnie Works On This Old House
The Bradford Heald house project, as
seen on THIS OLD HOUSE®
The
folks at This Old House were determined to get the exterior
colors just right on their latest project, The Bradford
Heald house in Carlisle, MA. I was thrilled to be selected
as the architectural color specialist on the project,
especially because Carlisle is my home. This Old House
purchased the 1850's Greek revival farmhouse as their
latest project, and ever since the work began, the little
town of Carlisle has "gone national," courtesy
of PBS. My responsibility was to create the exterior
color scheme for the house. I made my TV debut on the
show in January of 2005 to explain and illustrate what
I'd created. It was VERY EXCITING! The folks at the
show were great to work with. They made the shoot a
real pleasure. And, as a result of working with them,
I have expanded my services.
New Services
One
of the tools that I used to present my exterior color
scheme options to This Old House was software which
allowed me to scan the architectural elevations provided
by the architect, Jeremiah Eck, and then "paint"
the elevation drawings using current manufacturer's
paint colors. The colored elevations provided an opportunity
for everyone to see how the various color schemes would
look on the house without having to try to "imagine"
the paint results. This proved to be valuable, as most
people have trouble visualizing blocks of color on an
area as large as a house. Until doing the project for
This Old House, I chose not to use computer programs
because paint colors are rarely accurately represented
on a computer screen or laser printout. However, "painted"
drawings viewed next to the manufacturer's actual paint
chips made it far easier to determine the final color
selections. For this reason, I am now offering this
service to homeowners who have architectural drawings,
the Full Service Exterior
Consultation (architectural elevations are required).
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Finally, I'll leave you with this thought:
"Ornament
has been, is and will be polychromatic; nature
does not present us with any object that is monotonously
uniform... therefore we must necessarily color,
partially or completely, all architectonic members...
Color in certain places has the great value of
making the outlines and structural planes seem
more energetic."
-Antonio Gaudí
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